• Interviews

    Let's Just Talk About the Craft

    Stop focusing on being a “female director” and start focusing on just being a director. A Conversation with Alia Ashkenazi.

    Alia showed up on my discovery Instagram page about a month ago. Alia is a very fashionable human, and being a fashion enthusiast myself, I wanted to follow her. It was a pleasant surprise to find that she was also someone involved in the film industry.

     

    Alia Azamat Ashkenazi wasn't always involved in the silver screen business. She is first and foremost a writer. Her first writing job in her mother country of Russia was at age 12 creating columns in a sports magazine. She remembers when she submitted a piece to her Editor, who barely changed a bit of the text. She was thrilled and when she received her check, she celebrated like any kid would; she bought three burgers, big thing of fries and a coke at McDonalds.

     

    A bit later down the road she became a published poet. She had a fan base, and even had public readings on a few stages. In her poetry she found herself focusing on "what happened" and "what's the conflict" rather than going all William Butler Yeats on all her poetic work. Making her more of a storyteller. She entered the industry in 2008 as a writer-director for the United Nations in Moscow.

     

    When she moved to the States in 2014, our Anna Akhmatova found herself wondering what she was going to do to earn a living in a country that she was just starting to master the language of. Enter Screenwriting. She saw it as an opportunity to still tell her stories, and get paid to do so.

     

    A job Alia found herself in a lot, as well was Script Supervising. She loves it and has worked on many sets doing so. She believes it is the most under-appreciated position on film sets, the job receiving little respect from other crew members based off of them not know what a Script Supervisor does.

     

    The word respect, this leads to what I reached out to talk with Alia about: sexism in the industry towards women. How she responded turned the article on its head and her reaction started a new conversation.

     

    "I’ve never encountered misogyny or sexism myself, but I’m a lucky person. I’ve seen some filmmakers being dismissive towards women on set, but I think in those particular instances it came from them just being ungrateful assholes, not sexists. That doesn’t cancel other women in [the industry's] stories of course... all I wanna say that it’s always about balance. You have to surround yourself with people who believe in you, be that men or women. I was fortunate enough to work with men who always uplifted me, always supported me. Any filmmaker must find those people, and hold on to them. Just do your job well, the right people will appreciate that," Alia told me.

     

    She then expressed to me that she believes people need to stop focusing on putting the "female" in front of all those jobs. Female director, female writer, female grip, and so forth and so on.

     

    "Kathryn Bigelow is a filmmaker who tells stories few men have balls to tell. She makes the most honest and brave films, and the last thing I care about is her being a female. I wish the time will come, when we wouldn’t highlight a director being a woman, and judge them as a filmmaker first."

     

    Read the full interview here.